上作空间设计丨如羿木作馆藏在“凡”世的角落

互联网时代，我们的通信与交往，已经越来越依赖移动终端和社交平台，我们越来越享受即时高效和分享的快感，可是，当我们的脚步慢下，细品时代的步伐，惆怅一眼发展的过往之时，才会懂得什么是最珍贵，什么是值得欣赏的。

In the age of the Internet, our communications and interactions have become more and more dependent on mobile devices and social platforms, and we have become more and more comfortable with instant efficiency and sharing, melancholy at a glance development of the past, will know what is the most precious, what is worth appreciating.

以“院”为思想来构思

conceived with the idea of “Courtyard”

当接触到木作品牌的case时候，我们带有思考性的分析是它需要什么。然后提出我们的设计语言“沐”，谐音。以木为点，构思空间的设计形态，延展出可以表达生活的理想态度。

When it comes to wooden case brands, our thoughtful analysis is what it needs. Then we put forward the design language “Mu”, homophonic. Take the wood as the point, conceives the design form of the space, extends the ideal attitude which can express the life.

我们所能想象的一种语境表达是当下社会。经济为上，效率为先，是这个社会的特征，在浮躁的环境下，却总有一群人坚守着原则，以时间和经验磨砺自己的作品，以心血和汗水培育美的产物，他们就是匠人。世界在嘈杂，匠人的内心，绝对是安静笃定的，不随波逐流，他们的作品会在时代发展的步伐里沉淀下来。

One of the contextual expressions we can imagine is the current society. Economy First, efficiency first, is the characteristic of this society, in the impetuous environment, but there is always a group of people adhere to the principle of time and experience to sharpen their work, with painstaking efforts and sweat to cultivate the product of beauty, they are artisans. The world in the noisy, craftsman’s heart, is absolutely quiet and determined, do not drift with the current, their works will be in the pace of the development of precipitation down.

空间夜景

space night scene

基于原始空间的户型结构与空间面对，所能组建的场景是一个闭合L形态的平面，如何建立木作在这个空间当中的视觉焦点和引导人群去体验空间，一直是设计师与品牌主理人着重思考的问题。在过渡商业化的发展气息当下，太多展厅、店铺形态的美感图片存在于市场之中，如何让如羿成长，自然自在表达就是本次设计的根本目的。

Based on the original space of the huxing structure and the space face, the scene that can be formed is a closed l-shape plane. How to establish the visual focus of the wooden work in this space and guide the crowd to experience the space, designers and brand managers have been focusing on the problem of thinking. In the development of the overcommercialization of the current, too many exhibition hall, shop form of the aesthetic images in the market, how to let Ruyi grow, natural natural expression is the fundamental purpose of this design.

设计导向

design-oriented

空间的元素构思，致敬建筑殿堂级人物卡洛斯卡帕，我们都知道意大利人对美的执著是近乎苛刻的。而建筑大师斯卡帕本身的建筑语言丰富，本案最佳的体现也是手工艺细节。

The element of space is conceived as a tribute to the architectural icon, Carlos Capa, and we all know that the Italian obsession with beauty is close to fastidious. The master architect SCAPPA himself has a rich architectural language, and the case is best illustrated by the details of the craftsmanship.

与不同的材料触觉形成组合，金属的回旋搭配，木匠的榫卯，表达一种特质、一种韵律，把空间的表现与被表现联系起来，即进行诗意抽象的同时能够让形状不带带有任何内涵或延伸的意义，它就只代表它本身，它只代表美。市场上，木作手工艺代表的最佳载体，空间借助形态筑谱成一个个动静相宜的场景，而我们的思考也进行整体的存在意义。

Formed by the touch of different materials, the gyration of metals, the mortise and tenon of carpenters, expressing a quality, a rhythm, linking the expression of space to the expression, that is, the poetic abstraction can make the shape without any meaning or extension, it only represents itself, it only represents beauty. On the market, Wood Craft represents the best carrier, the space with the aid of shape to build a suitable scene, and our thinking is also the overall meaning of existence.

“景”

“view ”

设计师认为，现代商业空间设计当中，最可贵的品质，不是它是否具有时尚性与商业的气息，也不仅仅停留在“网红属性”的定调上，而是在于设计所体现出来的空间气质能否符合我们当下品牌主自己的商业逻辑，人文情怀。

Designers believe that the most valuable quality of modern commercial space design is not whether it has fashion and commercial atmosphere, nor just stay in the "net red attribute" on the tone, but lies in the design reflected space temperament can meet our current brand owner's own business logic, humanistic feelings.

“一个好的设计是安宁与沉吟的气息在弥漫，是具有生长性的，设计，仅仅是生活中的“顿号”，设计与生活直接有内在的连贯性与统一性。”这也是初入空间的点题，语境的表达，由景生情，由情为源，商业的本质在此以人为本，以链接为属性，设计所带来的价值也滋润着这个空间。

"A good design is a peaceful and contemplative atmosphere in the air, is with growth, design, is only the" stop "in life, design and life directly have internal coherence and unity. This is also the point of entering the space, the expression of context, from the scene, from the situation as the source, the essence of business here is people-oriented, link as the attribute, the value brought by the design also moistens the space.

武汉，这个城市，本身自带江湖文化与生活烟火气。而以作品为前提的要素就显得格外珍贵。人们常说，艺术跟生活是联通的，它的最高境界不是轰轰烈烈，而是处于一种微妙、动人的自在，空间造“景”是不太需要过多的点缀，不能喧宾夺主。让每个元素都各有其姿，各得其乐。

Wuhan, the city itself, with its own rivers and lakes culture and life smoke and fire. And the element that takes the work as premise appears to be particularly precious. People often say that art and life are connected, its highest state is not spectacular, but in a delicate, moving free, space to create “Scenery”is not too much embellishment, can not dominate. Let each element have its own style and have its own fun.

“活”

“Come alive”

以视觉焦点提供元素主义的姿态，木孕育於春天，是万物归醒的开端，而生活也意味着勃勃的生机，本身也裹藏着一切智慧。眼见颜色，耳闻声音，是感受；见颜色而知其美，闻声音而知其和，也是感受。

With visual focus to provide an element of attitude, wood in the spring, is the beginning of the awakening of all things, but life also means vigorous vitality, itself also contains all the wisdom. To see color, to hear sound is to feel; to see color is to know its beauty, and to hear sound is to feel.

“样 ”

“Like”

空间模样，沉淀、松弛，是营造的一种心理体验。进入空间后，将接待区与产品展示区作为“屋檐”的概念，借助顶面和地面拉出范围，让其呈现出明朗清晰的空间尺寸感，然后不同的材质转接和层次来说明工艺的细节和水平，将这些材质的运用在本案的空间当中，是对自身产品力优势的掌握。

Space appearance, precipitation, relaxation, is to create a psychological experience. After entering the space, the reception area and the product exhibition area will be used as the concept of “Eaves”, with the help of the top surface and the ground to pull out the scope, so that it presents a clear and clear sense of space size, then different material transfer and levels to explain the process of detail and level, the use of these materials in the case of space, is the advantage of their own products.

空间设计语言中，力是时空褶皱的结果，光则可以被理解成平行宇宙之中的振动，让一切自然规律都变得简洁而优美。

In space design language, force is the result of the folds of space and time, while light can be understood as a vibration in a parallel universe, making all natural laws simple and beautiful.

“使用者 ”

“Users”

空间有时候，不是因为选择多了而丰富，是因为「对待」而更丰盈。

Space is sometimes enriched not by choice, but by treatment.

有时候，设计者跟使用者都愿意停留在此，将自己的触角深入此刻所有的包裹之中，来发现它的丰盛。这样的使用感受才能与心灵产生共振。

Sometimes, designers and users are willing to stay here, their own tentacles into all the packages at the moment, to find it rich. This feeling of use resonates with the mind