梁筑设计事务所 | Tomacado花厨 - 扮家家问答频道-,室内设计问答,3dmax疑难问答-扮家家室内设计网

西湖婉转与花厨美学，打开女性时光的多重纬度

West Lake Grace & Tomacado Aesthetics，Unfolding the Multitudes of a Feminine Temporality.

▼项目一瞥，Preview © 孙骏

逃离冷冽的城市，投入满是鲜花环绕治愈之地，这里不是一个简单的餐厅，这里是Tomacado 花厨和梁筑一起走过的这七年，围绕一城一花、一花一餐的品牌美学体系，它拥有着绝佳的地理位置，坐落于杭州湖滨银泰in77A区，直面西子湖畔，以“荷”为设计线索，设计师将女性优雅揉进流动的时光，为餐厅空间赋予丰饶的生命之姿。

This is Tomacado, not just a simple restaurant,but a healing destination surrounded by flowers,an escape from cold city jungle. Under the brand aesthetic ——One City One Flower, One Flower One Meal, Liangzhu and Huachu have been working together for the past seven years,with Tomacado as the latest outcome.Located in the 77A area of Hangzhou Lakeside Intime,Tomacado has the perfect location facing the West Lake.The designers have poured an elegant & feminine aesthetic into the spatiality & temporality, with lotus being the design clue, creating a dining place full of vitality.

▼餐厅外观，Exterior view © 孙骏

▼入口细部，Entrance detailed view © 孙骏

设计思考 | Design Thinking

建筑与物体

Architectureand Objects

设计师通过建筑的语言和思维方式与空间发生关系，物质既承载功能，也可以是环绕空间的动线载体在空间设计中探索和实践。在思考建筑与物质的构造关系中，空间将呈现其特有的节奏和层次，同时不同界面的关系可以被贯通、模糊、再关联，空间与物体相辅相成的存在既充满趣味，也赋予空间多重价值。

The designer relates to space through the language of architecture and the way of thinking. Objects can be functional, while being the carrier of the motion line in the space to be explored and practiced. In thinking about the constructive relationship between architecture and objects, space will present its unique rhythm and layers, while the relationship between different interfaces can be penetrated, blurred, and re-associated in the same time. The co-existence of space and objects complementing each other is not only full of sparkling of interests, but also endowing multiple values to space.

▼用餐区，Dining area © 孙骏

▼吧台区，Bar area © 孙骏

花厨西湖店内，荷花所营造的物质界面与餐厅建筑界面彼此照应，在一静一动、一实一虚的平衡中构成饱满生动的整体。

In Tomacado, the material surface created by the lotus flowers and the architectural surface of the restaurant are in counterpoint to each other constituting a vivid entirety in the balance of motion and stillness, between the reality and the virtuality.

▼卡座区，Booth area © 孙骏

▼用餐区，Dining area © 孙骏

结构&内外 | Structure & Enclosure

纳入四时光景

Bring in the Four Seasons

花开西子湖，通过重建内外空间关系，设计师将四季荷塘、湖畔叠影、流水廊桥一并纳入空间。通过楼层结构调整，设计打破原建筑局限性，将二层与三层沿湖就餐区打开视觉通道，完成了自上而下和自下而上的视觉贯通，解决了原本的层高压迫感，大大提升了就餐体验。由商场进入餐厅的入口则以金属镂空铜板包覆，与临街开阔明朗的落地窗形成对比呼应，轻盈与隆重并序。

Flowers bloom on the banks of West Lake. With the reconstruction of the relationship between inside and outside space, the designer has incorporated the scene of four-season lotus pond, overlapping lakeside and water flowing beneath corridor bridge into the space. Through floor structure adjustment, the designer breaks the limitations of the original building and creates the visual channel between the second and third floor for the dining area along the lake, which accomplishes the visual connection from ground to ceiling. This resolves the oppressive feeling of floor height and greatly enhancing the dining experience. The entrance to the restaurant from the mall is clad with metal hollowed copper panels, echoing the open and clear floor-to-ceiling windows by the street, which made it overall both lightweight and grand.

▼走廊，Corridor © 孙骏

从户外向内望，依稀可见实现挑空后的楼层曲面结构与内部餐位，优雅舒阔的通透感与入口的怀旧的时光意趣构成反差张力。室内拱形结构形成三层向二层的围合式挑空，与花艺装置产生对话，光影洒落在花朵上，硬朗的空间被注入柔软的情绪，细腻的材质与淡雅的色彩更好地贴切女性的温润柔美。

Looking inward from the streets,the curved structure of the floor and the interior dining space can be seen vaguely after the hollowing out, the elegant and comfortable sense of transparency forms a contrasting tension with the nostalgic mood of time at the entrance. The arched structure of the interior forms an enclosed atrium from the third floor to the second floor, generating a dialogue with the floral installation. With light and shadow falling on the flowers, a soft atmosphere is here injected into the solid space, towards a feminine aesthetic through delicate materials and gentle colors.

▼挑高空间，Atrium © 孙骏

荷花 | Lotus

重塑视觉记忆

Reconstruction of Visual Memories

荷花作为西湖最富代表性的视觉符号，设计师以《西湖荷塘》为灵感，在都市中感受闹中取静的清雅，也成为杭州花厨阐释在地理念与主题形态的载体。

The designers take West Lake Lotus as a vehicle to interpret the genies loci and brand concept. The lotus flower, as the most recognized visual symbol of West Lake, embodies the concept of Tomacado,which is to seek serenity in a crowded and buzzing city.

▼荷花装置，Lotus installation © 孙骏

设计师提取了荷花的概念来诠释花厨的品牌理念体系，作为楼梯空间的载体，充满着西湖雅韵，自三层屋面垂下的荷花主装置内部载有机电结构，使巨大的荷花主体可以盛放、闭合、摆动，丝绸质地柔韧轻盈，把花的美丽最大程度的展现出来，设计的路径来自于花的自然形态和美丽，从墙缘门洞探出在垂直空间贯通就餐区，同时也作为视觉线索引导就餐者。

Lotus is used to interpret the Flower Kitchen branding system is multiple ways. As the centerpiece of staircase space, the main lotus installation hanging down from the third floor roof contains electromechanical structure inside so that the huge body of lotus flower can bloom, close and swing, displaying a fully charged charm of West Lake elegance. Its silk texture is soft and light to show the beauty of the flower to the maximum extent. The design of pathways comes also from the natural form and beauty of the flower, poking out from the wall edge doorway, running in the vertical space through the dining area, and also as a visual cue to guide the diner.

▼自屋面垂下的荷花装置 © 孙骏

The lotus installation hanging down from the ceiling

荷花有节律地绽放，原本的静态空间随叶片开合吐纳，结合层层递进叠错的动线场景，形成小小的微缩寰宇——建筑空间从直白袒露到模糊婉转；从严肃简洁到丰满灵动；从恒定唯一到随四时流转，时时处处皆有意料之外的触动惊喜。

The lotus blossoms rhythmically, making the originally static space breathing along with the movements of petals.Overlapped progressively with layers of pathways and scenes, the architectural space evolves into an otherworldly universe, from straight forward from straightforward and bare to blurred and gentle; from serious and simple to rich and flexible; from constant and unique to flowing with the four seasons, with unexpected and surprising touches at all times.

▼荷花装置细节，Installation detailed view © 孙骏

▼室内细节，Interior detailed view © 孙骏

墙面浮雕是荷花作为视觉记忆的另一种体现。雕塑硬朗的恒定感与动态立体的荷花彼此辉映。桌花与橄榄在此基础上点缀，共同完成了内部以荷花为主题的完整生态场景，花的形态借由建筑空间实现了完整丰富的表达，自然之美与生命能量在此生发。

The wall relief is another representation of lotus as a visual memory. The permanence of the sculpture and the dynamic three-dimensional lotus reflect each other. The flowers and olives on the table serve as accents, which together complete the ecological scene of the interior with the lotus as the theme, and the flower form is expressed in its full richness through the architectural space, where the beauty of nature and the energy of life are born.

▼墙面浮雕，The wall relief © 孙骏

设计师将室内美学与外部自然相结合，自然光照入室内，与荷花形成绝妙搭配。花与影子相依相随，落在墙壁和盘中，为拍照摄影爱好者营造氛围感和双重视觉享受。

The designers concern the aesthetics of the interior with the nature outside. The lotus flower installations are at their best presentation with the natural lighting shining in. Layered shadows are casted on the flowers themselves, and on the walls and plates. It is a delightful scene favored by the photographers.

▼沐浴在自然光下的用餐区 © 孙骏

Dining area illuminated by natural light

伴随着日落，暖色光映入眼帘，空间的格调也在悄然的发生变化，临窗座位也成为了西湖畔看日落的好去处，仿佛置身于“荷塘中”一般，身侧即是波光粼粼的西湖水面和橘色日落，亲身体验自然所带来的视觉享受。

At the sunset, daylight turns warmer and changes the tone of the space subtly. The window seats are best locations to appreciate the sunset on the West Lake. It feels like being immersed in a “lotus pond” with the sparkling lake water and the soft orange sun. It is a visual delight that only can be experienced by being there and then.

▼日落十分，Sunset © 孙骏

▼光点，Light spots © 孙骏

品牌基因 | Brandgenes

创造“她”时代

Creatingthe “her” era

黄昏，阳光投入临街玻璃窗，也透过金属板孔洞跃动。光影落在轻薄的丝绸叶片上，荷花仿佛被注入生命，悠然开放，这些由自然馈赠的意外之喜为设计又添一份迷人和珍贵。灯光低垂，西湖水微波，花厨、城市与自然从未分离，一花一世界，一城一故事，花厨借餐厅空间孕育“她”时代，永不止息地创造女性哲学当代生活方式。

At dusk, the sunlight pours in from streetside windows, through the glass and filtered by the perforated metal panels. The dappled light moves on the thin and translucent silk petals of the lotus installations, as if bringing life to them. It is a surprisingly beautiful gift from nature.

▼一花一世界，The world of Tomacado © 孙骏